The Arts, Imperial and Settler Colonialism, and Places and Spaces (Ph.D. 2017)
Vanessa is an artist-researcher who engages in place specific art practice. She researches place through a broad range of methods, such as mixed media collage, drawing, story, photography, and installation. In her most resent work her primary art material is waste.
Disrupting the all-too-human body through art in early childhood education and car (MA - 2013)
The purpose of Vanessa's research was to disrupt the all-too-human body through art in early childhood education and care. Her study began by constructing the problem of the all-too-human body as it is practiced in the classroom and through art. With this study, she attempted to disrupt this way of reading the body through an art encounter. This involves rethinking/rewriting how we come to practice art making. To do this, Vanessa turned to the philosophy of Deleuze and Guattari (1987) and employed three concepts: the Body without Organs (BwO), assemblage, and becoming. With these concepts, Vanessa's thesis was inspired by an immanent relational materialist onto-epistemology.
My lived experience of difference and my fascination with pedagogical research into reconceptualizing [early childhood] education through drawing as an encounter (Ph.D., ongoing)
Mitsy is an artist, researcher, pedagogist and early childhood educator. She has been an early childhood educator for over 15 years, primarily focusing on young children’s drawings and aesthetic art.
Her proposed doctoral study would build on her ongoing research and explore the potential of artmaking to create inclusive, equitable classroom communities where children and educators, including those who embody difference, may live [well] together through diffractive and humiliating moments.